Recent Progress in Color Management and Communications

Robert Buckley, Editor; Series Editor: Reiner Eschbach
1998
ISBN / ISSN: 0-89208-210-0
270 pages

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Non-Member Price $25.00

"Recent Progress in Color Management and Communications" is the fifth volume in the "Recent Progress" series, edited by Reiner Eschbach and published by the Society for Imaging Science and Technology (IS&T). The referenc es have been updated to reflect paper interdependencies. This compilation, along with editorial updates, allows color technologists, engineers and scientists to gain an in-depth understanding of the field and provides them with efficient access to relevant data and current issues in color management and communication.

© 1998, The Society for Imaging Science and Technology

The following papers are included in this publication. To read the abstract, click on the paper title.

You may purchase the full text of these papers in PDF format from the asbtract-view screen, or you may return to this page to purchase a hardcopy of the entire publication.

Chapter I
Color Management

• Color Management Comes of Age
  Gerald M. Murch; Xerox Desktop Document Systems pages 1-4.
• The History of the ICC
  Michael Stokes; Hewlett-Packard Company pages 5-8.
• Making Color "Plug and Play"
  Todd Newman; Silicon Graphics, Inc. pages 9-13.
• Color Management: Current Approaches, Standards and Future Perspectives
  Michael Has; FOGRA, Technical Secretary of the ICC pages 14-18.
• Today's Image Capturing Needs: Going Beyond Color Management
  Chris Tuijn and Wim Cliquet; Agfa-Gevaert N.V. pages 19-23.
• Color Management: How Accurate Need it Be?
  G. Gonzalez*, T. Hecht, A. Ritzer, A. Paul, J.-F. Le Nest*, and M. Has; FOGRA *INPG-EFGC pages 24-29.
• Inside the ICC Color Device Profile
  George B. Pawle; Kodak Color Management Systems pages 30-33.
• Design and Implementaion of an ICC Profile Validator
  Tim Kohler; Canon Information Systems pages 34-35.
• Construction Features of Color Output Device Profiles
  Parker B. Plaisted and Robert Chung*; Torrey Pines Research *Rochester Institute of Technology pages 36-41.
• Color Matching with ICC Profiles: Take One
  Robert Chung and Shih-Lung Kuo; Rochester Institute of Technology pages 42-45.
• Extraction of Non-Linear Components from 3D- & LUT In ICC Profiles and Re-composition of New Profile for Better Color Reproduction
  Teruo Fumoto, Osamu Yamada and Hideto Motomura; Matsushita Research Institute Tokyo, Inc. (Japan) pages 46-48.

Chapter II
Color Management: Characterization

• Reconsideration of CRT Monitor Characteristics
  Naoya Katoh and Tatsuya Deguchi; Research Center, Sony Corporation pages 49-55.
• A New Method for Characterizing Output Devices and its Fit into ICC and HIFI Color Workflows
  Jean Pierre Van De Capelle and Baldewin Meireson; Barco Graphics pages 56-58.
• Characterization of SWOP Printing
  David Q. McDowell; Eastman Kodak Company pages 59-61.
• Colorimetric Characteristics of Process Color Prints Produced under the Japan Color Conditions: Conversion Trials from L*a*b* Values to CMY Dot Percent Values
  Mitsuo Kaji, Shoji Otake and Yoshihiko Azuma; Tokyo Institute of Polytechnics, Faculty of Engineering (Japan) pages 62-67.
• Colorimetric Characteristics of the Proof Print Produced by Photographic Process and Comparison to Conventional Color Prints
  Yoshihiko Azuma, Shoji Otake and Mitsuo Kaji; Tokyo Institute of Polytechnics, Faculty of Engineering pages 69-72.
• Graphic Arts Standards Update: 1997
  David Q. McDowell; Eastman Kodak Company pages 73-78.
• Pragmatic Approach to Device-Independent Color
  Roger D. Brandt and Kris S. Capraro; Jet Propulsion Laboratory, California Institute of Technology pages 79-87.
• Color Printer Characterization Using a Computational Geometry Approach
  Jan Yngve Hardeberg and Francis Schmitt; Ecole Nationale Superieure des Telecommunications, Department Images pages 88-91.
• Device Characterization Using Variable Rectilinear Interpolation
  C.T. Yeung and Bob Lin; Peerless System Corporation pages 92-95.
• Standard High Precision Pictures: SHIPP
  Koichi Sakamoto and Hitoshi Urabe; Fuji Photo Film Co., Ltd. pages 96-100.

Chapter III
Color Management: Fidelity, Appearance and Reproduction

• Color Management: New Roles for Color Transforms
  Michael H. Brill; National Information Display Laboratory, Sarnoff Corporation pages 101-105.
• The Other Side of Color Management
  Larry Lavendel; User Interface Guy, Canon Information Systems pages 106-110.
• Color Reproduction Algorithms and Intent
  J.A. Stephen Viggiano and Nathan M. Moroney; Imaging Division, RIT Research Corporation pages 111-113.
• Who Decides Appearance: Author or Reader
  James C. King; Adobe Systems Incorporated pages 114-116.
• Aesthetic Considerations in Tone and Color Management
  Robert F. Poe; Color Management Systems, Eastman Kodak Company pages 117-121.
• Limitations in Communicating Color Appearance with the ICC Profile Format
  Gary Dispoto and Michael Stokes; Hewlett-Packard Company pages 122-126.
• Color Approval in the Graphic Arts
  Gary G. Field; California Polytechnic State University, Graphic Communication Department pages 127-132.
• A New Color Management System Based on Human Perception and its Application to Recording and Reproduction of Art Paintings
  Yasuaki Yokoyama, Norimichi Tsumura, Hideaki Haneishi, Yoichi Miyake, Jyunichiro Hayashi*, and Masayuki Saito#; Department of Information and Computer Science, Chiba University *Mitsubishi Electric Micro Computer Application Software Co., Ltd #Information Technology R&D Center, Mitsubishi Electric Corporation pages 133-136.

Chapter IV
Color Management: Systems View

• Align and Conquer: Moving Towards "Plug and Play" Color Imaging
  Ho John Lee; Hewlett-Packard Laboratories, Computer Research Center pages 137-142.
• Digital Color Printing 1995: A Retrospective from the Trenches
  Giordano B. Beretta; Hewlett-Packard Laboratories pages 143-146.
• Computer Color Reproduction
  Ricardo J. Motta; Hewlett-Packard Laboratories pages 147-150.
• HIFI Color Printing within a Color Management System
  Marc Mahy and Dirk De Baer; Agfa-Gevaert N.V. pages 151-156.
• Screen's Color Management System for the Graphic Arts Industry
  Nobuaki Usui and Takashi Sakamoto*; Tokyo Laboratory, Dainippon Screen Manufacturing Co., Ltd. *Research Laboratory, Dainippon Screen Manufacturing Co., Ltd. pages 157-165.
• Digital Color Process Control in the Graphic Arts
  Patrice M. Dunn; Open Systems Color Association (OSCA) pages 166-168.
• An Approach to the Color Management Among Color Devices
  Tsuneo Sato, Kimiyoshi Miyata and Masayuki Saito; Mitsubishi Electric Co. pages 169-172.
• Building a Precision Colour Imaging System
  David P. Oulton, Christopher J. Boston and Robin Walsby; UMIST pages 173-177.
• Color Imaging in Telemedicine: Current Trends & Future Needs
  Joann M. Taylor and Lawrence D. Picciano*; Color Technology Solutions *ECRI pages 178-181.
• Image-designing and Color Management for Digital Still Camera and Printer System
  Hitoshi Urabe, Makoto Tsugita, and Kouji Ichikawa; Fuji Photo Film Co., Ltd. pages 182-185.
• The Imager for Mars Pathfinder (IMP) Experiment
  Peter H. Smith; University of Arizona pages 186-188.

Chapter V
Color Communications: Representations and Standards

• Why is Black-and-White so Important in Color?
  R.W.G. Hunt; City University pages 189-192.
• Issues Relating to the Transformation of Sensor Data into Standard Color Spaces
  Jack Holm; Hewlett-Packard Laboratories pages 193-197.
• Proposal for a Standard Default Color Space for the Internet: sRGB
  Matthew Anderson*, Ricardo Motta#, Srinivasan Chandrasekar*, and Michael Stokes#; *Microsoft #Hewlett-Packard pages 198-205.
• Color in Web-based 3D Graphics
  Maureen C. Stone; Xerox Palo Alto Research Center pages 206-210.
• The FlashPix™ Image File Format
  Christopher R. Hauf and J. Scott Houchin; Eastman Kodak Company pages 211-214.
• JPEG: New Enhancements and Future Propects
  Daniel T. Lee; Hewlett-Packard Laboratories pages 215-218.
• Use of Color Science in Image Processing
  Sarah A. Rajala; North Carolina State University pages 219-220.
• Multispectral Color System with an Encoding Format Compatible to the Conventional Tristimulus Model
  Thomas Keusen and Werner Praefcke; Technical Electronics Institute, Aachen University of Technology pages 221-223.
• Analysis-Synthesis Transforms versus Orthogonal Transforms for Coding Reflectance Spectra
  Werner Praefcke; Institut fur Elektrische Nachrichtentechnik, Aachen University of Technology, RWTH pages 224-227.

Chapter VI
Color Communications: Systems View

• Bits, Bytes, and Square Meals in Digital Imaging
  R.W.G. Hunt; University of Derby pages 229-232.
• NII in the Home
  James R. Sullivan; Eastman Kodak Company pages 233-236.
• Images and the Information Superhighway
  A. John Michaelis; R.R. Donnelley and Sons pages 237-239.
• Printing and the Internet
  George Lynch; Hew Packard Company, Inkjet Products Group pages 240-242.
• Color Management for Color Facsimile
  Jon Yngve Hardeberg, Francis Schmitt, Ingeborg Tastl, Hans Brettel, and Jean-Pierre Crettez; Ecole National Superieure des Telecommunications, Departement Images pages 243-247.
• Introduction to Color Facsimile: Hardware, Software and Standards
  Daniel T. Lee; Hewlett-Packard Laboratories pages 248-255.
• Implementing A Color Facsimile Machine
  Giordano B. Beretta, Konstantinos Konstantinides, Daniel T. Lee, Ho John Lee, and Andrew H. Mutz; Hewlett-Packard Laboratories pages 256-259.
• Soft-Copy and Palette-Color Extension for Color Facsimile Standards
  Makoto Matsuki*, Daniel T. Lee#, Andrew H. Mutz#, and Hiroaki Ikegami**; NTT Printec Co. #Hewlett-Packard Laboratories **Fuji-Xerox Co., Ltd. pages 260-262.
• New Developments in Color Facsimile and Internet Fax
  Robert Buckley, Dennis Venable, and Lloyd McIntyre*; Xerox Digital Imaging Technology Center *Xerox Channels Group pages 263-267.