CIC18 Preliminary Program Released We've got an amazing week planned for Nov. 8-12 in San Antonio, Texas, including a riverboat tour of the famous River Walk. There are a number of new short courses offered, three interesting keynotes planned, an evening talk on color holography, and a panel on educating future color imaging scientists and engineers.
Archiving 2011 Call Released Salt Lake City hosts Archiving 2011, May 16 to 19. General Chairs Wayne Metcalfe, FamilySearch, and Kate Zwaard, US Government Printing Office, have released the Call for Papers, with an October 17, 2010 submission deadline.
NIP26/Digital Fab 2010 EARLY REGISTRATION DEADLINE APPROACHING Austin, Texas hosts this year's conference, Sept. 19-23. The early registration deadline is Aug. 22nd.
NIP/DF Hotel Registration Deadline: August 30th Single/Double rate is $184/night. PLEASE NOTE: There are many conferences in town over the NIP/DF dates and we've been warned that many hotels will be selling out, so please book your hotel room now.
Fourier Methods for Imaging by Roger Easton is available now for $120 including shipping anywhere in the world. The book won't be available from Amazon until July 20th! Be among the first to get it by ordering it here.
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SPECIAL PRICE for ICC Profiles Book Color Management: Understanding and Using ICC Profiles by Phil Green, editor, has just been released as the newest in the IS&T/Wiley Series. We're offering it at low price of $85 including shipping for IS&T/ICC/SID/SPIE and ISCC-Member Body members. To take advantage of this, fax in the PDF order form.
2010 Honors and Award Recipients Announced David McDowell has been named Honorary Member of IS&T and Zhigang Fan, Graham Finlayson, and Stephen J. Simske have been named Fellows. Click on the link below to see which of your colleagues has been bestowed with a 2010 IS&T Honor or Award.
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Normally ink is thought of as a liquid. However, there is a printing technology that utilizes solid ink, also called phase change ink or hot melt ink. The names are often used interchangeably, but the term solid ink will be used in this description of the technology.
The concept of solid ink is that it is solid at normal ambient temperatures but in the ink-jet printing device, the ink is melted, converting it into a liquid that can be jetted much as any other liquid ink is handled in a piezoelectrically driven ink-jet printer (but not, of course, in a thermally driven bubble-jet printer). The real advantage of solid ink over aqueous ink is that the molten ink does not have to dry. Instead, it freezes (solidifies) almost instantaneously on the cool printing surface. This also means that solid ink does not dry out in the nozzles of the ink-jet, as aqueous inks are prone to do. In addition, solid ink does not wick into the paper as liquid inks do. It remains bound to the surface of the paper, resulting in more vivid colors and producing an enhanced color gamut.
After several attempts by various companies (Howtek, Exxon, Dataproducts, Hitachi, Spectra, Brother), Tektronix successfully developed and introduced a color ink jet printer in 1991 using solid inks. The first-generation solid ink printer had 16 ink-jets per color (cyan, magenta, yellow) and 48 jets for black. It printed an A-size page (8.5 x 11 inches) in just under two minutes. Since then, the technology has progressed to the point where the same size page can be printed at 24 pages per minute. The latest solid ink printer's resolution is more than four times the resolution (sixteen times the amount of data) of the first solid ink printer. The cost of the latest printer is less than one-tenth the cost of the original printer and further improvements are expected in costs and performance.
The first generation of solid ink-jet printers worked by printing ink directly onto the paper or transparency printing media. The printhead was rapidly shuttled back and forth across the page, as the paper was incrementally advanced upwards after each printhead pass. On each pass, a stripe 16 pixels wide was printed. (A similar strategy is still employed in most desktop aqueous-ink printers.)
The disadvantages of this approach made it quite clear that if solid ink were to succeed, a completely different printer configuration had to be developed for it. The printhead with ink weighed over 1.8 kg, or almost four pounds. The printer had to be placed on a very sturdy table to prevent them both from walking across the room as the heavy printhead shuttled back and forth. Most of the time to make a print was spent in decelerating the printhead, stopping, and then accelerating in the reverse direction. The ink drop placements going in one direction would be slightly offset from those of the ink droplets going in the opposite direction. Although the drop placement error was very small, the spatial frequency of the 16-pixels pass was in the resolution range for which the human visual system is most sensitive. To print secondary colors, two primary color droplets were overlapped, but the order in which the primary colors were printed changed when the printhead was printing in the reverse direction. For instance, printing a magenta droplet over a yellow droplet created a slightly different red than printing a yellow droplet over a magenta droplet, and this caused unacceptable hue shifts.
In addition, the gap between the printhead and the substrate to be printed must be consistent to give predictable drop placement. Printing on paper of different thickness changed the printhead/paper gap enough to produce visibly different prints. The complexity of precisely controlling the motion of the printhead and paper made it clear that in order to have better reliability, increase the speed (number of prints per minute), improve the image quality, and also decrease the cost of the printer, both the paper handling and the paper path had to be greatly simplified.
The key innovation of the solid ink printers developed by Tektronix1 starting in 1995 was the development of indirect printing. The concept was to replace oscillating motion with an ink-jet printhead that would rapidly and precisely spray-paint a complete image on a spinning drum, the print head moving axially like the cutting tool on a lathe as it deposited a spiral track. After the image is applied to the drum surface, it is offset (transferred) from the drum onto paper. This approach enabled a very simple paper path to be used, with the paper going straight through the printer in what is essentially an offset printing process. While this greatly simplifies the paper path, the indirect printing process places fairly severe constraints on the ink. The ink must be tough and hard at ambient temperature. The ink must be extremely clean and have a low melt viscosity so that it can be easily jetted through the tiny apertures of the printhead. (The printhead is intended to last the lifetime of the printer.) The ink must quickly freeze on the drum surface and stay in place on a rapidly spinning drum. Finally, the ink must easily and completely transfer from the drum to paper in the offset printing step.
The heart of the printer is an anodized aluminum cylindrical drum. A multi-aperture printhead as wide as the drum is used to precisely apply the ink droplets to the drum surface. The ink droplets are generated by a piezoelectrically driven printhead made of stainless steel. The printhead is not fully populated with apertures, but contains many spaced sets of aperture columns. Each aperture column is made up of four jets: cyan, magenta, yellow and black. The aperture columns are equally spaced across the width of the array. Each time the drum makes a revolution, each four-jet column prints any desired combination of cyan, magenta, yellow and black ink droplets on every pixel in the line over which the four-jet column passes. Each four-jet column prints simultaneously, printing parallel paths of ink droplets around the drum. In the next drum revolution, the printhead is incremented over so that the next set of drops is printed parallel to the first set. After each drum revolution, the printhead is moved over one step, until the entire image is painted on the drum. The total lateral movement of the printhead during the printing process is actually quite small and depends on the gap between the columns of each four-jet set of the printhead. Depending on the selected image quality, the drum makes approximately eight revolutions in the process of generating the image plus one additional revolution to offset the image to paper and simultaneously clean the drum and treat its surface for the next image. The keys to producing high image quality are the consistency of the ink jets and the interlace method for generating each set of parallel lines on the drum surface.
The process of printing an image on paper breaks down to three basic steps:
There are no solvents and hence no drying time. The prints are completely water-fast. Because the inks are not liquid when they come in contact with the paper, the ink fuses to the paper rather than soaking into it, giving vivid colors on a wide range of papers. The order in which the secondary colors are printed is always the same, which gives consistent and predictable color. The process of printing on a drum and then transferring the image means that the drum-to-printhead distance is always the same. This consistent gap makes possible accurate and predictable drop placement, thus producing enhanced image quality.
Solid ink technology has proven to be a good solution for office and workgroup users. One of the disadvantages of the technology is that it requires 12 to 15 minutes to be ready to make a print from a cold start. Once the printer is turned on, it is best to leave the printer on continuously. During any extended inactivity, the printer goes into a standby mode in which the temperature of the ink reservoir is allowed to drop to just above the freezing point of the ink. The printer can then be "awakened" and ready to print in just a couple of minutes. It also does not require any purging of the ink to prepare the printhead as is required from a cold startup. An "Intelligent Ready" feature of the printer learns the normal office routine and will have the printer up to temperature and ready to print when office activity begins. The "Intelligent Ready" will learn when the weekends occur and remain in the standby mode.
Because of solid ink's good image quality and low cost, photographers are now using it to generate proof sets for school pictures. Many schools are using the printer technology because of its ease of use in loading the ink sticks and supplies and because it can print on just about any paper. Solid ink technology is best, the more it is used. It is unaffected by humidity or temperature and is consistent week after week and month after month through many years of use.
1 Xerox purchased the Color Printing and Imaging Division of Tektronix, January 1 2000.