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  ARCHIVING 2020 ONLINE SHORT COURSES


IMPORTANT INFORMATION ABOUT THE ONLINE PROGRAM

  • Archiving Short Courses will take place from Thursday 7 May to Friday 15 May.
  • Courses will be recorded, so may be taken live or viewed at your convenience.
  • Course recordings will be online until 1 August 2020.
  • You may take class(es) even if you do not plan to attend the full online conference.
  • The Short Course Passport allows you to take all the short courses live and/or via recording, with recordings available until 1 August 2020.

 

Track: Sub-topic Course Title Instructor
Advanced Imaging: 
Advanced Imaging
Revised for Online Format; see updated course description Spectral Imaging and Technical Aspects (2 hours)
Fenella G. France & Meghan Wilson
Preservation: Imaging Documentation
Scientific Imaging and Metadata Management with the Digital Lab Notebook (4 hours)
Carla Schroer & Mark Mudge
Advanced Imaging: 3D Imaging
Using Blender (3D modeling software) for Optimizing Cultural Heritage Models (4 hours)
Charles Walbridge & Dale Utt
Digitization: Standards / Best Practices
Scanner & Camera Imaging Performance: Ten Commandments (2 hours)
Peter Burns & Don Williams
Preservation: Standards / Best Practices
PDF for Archiving: Old and New (2 hours)
Boris Doubrov
Digitization: Standards / Best Practices
Revised to 2-hour length; see updated course description Best Practices for Implementing a FADGI Compliant Color Digitization Workflow (2 hours)
David Wyble & Thomas Rieger
Digitization: Integration, Workflow, & QC
Quality Assurance Workflows for Digitization Projects (2 hours)
Martina Hoffman
Digitization: Integration, Workflow, & QC
OpenDICE for Imaging Quality Assessment (2 hours)
Lei He
Advanced Imaging:
Integration, Workflow, & QC
Integrating Advanced Imaging and Digitization into Your Institution (4 hours)
Michael B. Toth
Preservation: e-Records Compliance
Digitization of Federal Records to Comply with the Transition to Electronic Records by 2022 (2 hours)
Thomas Rieger & Michael Horsley
Advanced Imaging
Cancelled Extending the Digitization Platform: Visualizing Spectral and Annotated Data (2 hours)
Fenella G. France & Andrew Forsberg
3D Imaging
Cancelled Smithsonian Open Source 3D Pipeline (2 hours)
Vince Rossi & Jon Blundell
  ARCHIVING 2020 COURSE SCHEDULE

  US Eastern Daylight Time (EDT)
10:00-12:15
Central European Summer Time (CET)
16:00-18:15
US Eastern Daylight Time (EDT)
12:45-15:00
Central European Summer Time (CET)
18:45-21:00
Thursday
7 May
SC09
Best Practices for Implementing FADGI Compliant Color Digitization Workflow
(David Wyble & Thomas Rieger)
SC12
Open DICE for Imaging Quality Assessment
(Lei He)
Friday
8 May
SC01
Scanner & Camera Imaging Performance: Ten Commandments
(Peter Burns & Don Williams)
 No course scheduled in this time slot.
     
Monday
11 May
SC04
(note that there will be a half hour break from 12:15 to 12:45 EDT/18:15-18:45 CET as well as two 15-minute breaks within the 2-hour blocks listed)
Scientific Imaging and Metadata Management with the Digital Lab Notebook
(Carla Schroer & Mark Mudge)
Tuesday
12 May
SC10
(first 2 hours of a 4-hour class; second two hours are same time on Wednesday 13 May)
Using Blender (3D modeling software) for Optimizing Cultural Heritage Models
(Charles Walbridge & Dale Utt)
SC03
(first 2 hours of a 4-hour class; second two hours are same time on Wednesday 13 May)
Integrating Advanced Imaging and Digitization into your Institution
(Michael B. Toth)
Wednesday
13 May
SC10
(continued; see note above)
Using Blender (3D modeling software) for Optimizing Cultural Heritage Models
(Charles Walbridge & Dale Utt)
SC03
(continued; see note above)
Integrating Advanced Imaging and Digitization into your Institution
(Michael B. Toth)
Thursday
14 May
SC11
PDF for Archiving: old and new
(Boris Doubrov)
SC07
Spectral Imaging and Technical Aspects
(Fenella G. France & Meghan Wilson)
Friday
15 May
SC08
Quality Assurance Workflows for Digitization Projects
(Martina Hoffmann)
SC02
Digitization of Federal Records to Comply with the Transition to Electronic Records by 2022
(Rieger & Horsley)

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